Summary
The work presents a new approach and architecture, EgoDistill, which could efficiently perform action recognition through sparse video frames augmented with head motion data. The model goes through a two-stage training. A pre-training phase, which uses a contrastive loss that enables the motion encoder to learn semantic visual features, and a distillation phase, which makes the motion-visual fusion model jointly mimics the more stronger visual-only model. The results are impressive, supported by a series of ablation study.
There is no major flaws in the paper, except a minor confusion on the argument on the fact that the pre-training of the model forces the motion encoder learning semantic features.
Strengths
The paper is very well written and easy to follow. The figure showcases the method very well.
The authors made a keen observation in using a separate modality (head motion) jointly with egocentric frames to efficiently perform action recognition task. The proposed architecture is novel and yields impressive results.
Weaknesses
No major weaknesses.
Questions
During the pre-training phase, L1 would train the fusion network as well as the IMU encoder, while NCE loss would mix and match samples to train both the IMU predictor and IMU encoder. How is the schedule of training the IMU predictor \hat{z} match with the optimization of the IMU encoder? How to prevent IMU encoder from being affected by under-trained IMU predictor?
Rating
8: Strong Accept: Technically strong paper, with novel ideas, excellent impact on at least one area, or high-to-excellent impact on multiple areas, with excellent evaluation, resources, and reproducibility, and no unaddressed ethical considerations.
Confidence
4: You are confident in your assessment, but not absolutely certain. It is unlikely, but not impossible, that you did not understand some parts of the submission or that you are unfamiliar with some pieces of related work.
Limitations
I am not super convinced on the argument that the IMU encoder learns scene motion cues (line 318). The action confusion (between close/open and put/take) is a good example, but the two action pairs seem to be more relevant to time sequence rather than scene motion.