1. *It is not clear if the performance improvement comes from the key improvements, or the replacement of the vocoder, which can be seen as a post-processing step rather than a key part of the algorithm. It is well known that DiffWave produces much more natural-sounding output compared to the Griffin-Lim algorithm used by the previous works.*
**Response:**
As Figures 2 & 3 in the Appendix show, LipVoicer recovers mel-spectrograms that look like the mel-spectrogram of natural speech. The competitors, however, fail to do so and are missing crucial pitch information and hence sound unintelligible and metallic. Even an excellent vocoder cannot compensate for degraded input mel-spectrograms. Moreover, we trained the vocoder on mel-spectrograms which were extracted from natural speech signals, and not on the mel-spectrograms that we generated with LipVoicer. This gives a strong qualitative indication that the source of the improvement comes mainly from the quality of the mel-spectrogram reconstructed by LipVoicer.
We note that we compare favourably to SVTS that uses a modern neural vocoder, specifically Parallel WaveGan, and not Griffin-Lim. In general, Griffin-Lim is rarely used nowadays in recent papers in the text- and lip- to speech techniques, since more advanced vocoders currently exist.
2. *The authors request subjective assessors to rate Intelligibility, Naturalness, Quality and Synchronisation, but it is not clear what the difference between Naturalness and Quality are. There is a screenshot of the evaluation page in the appendix, but it does not make it clear what 'quality' means.*
**Response:**
Quality is the overall quality of the audio. It is equivalent to the single value of MOS that most papers report. The other metrics try to break down the quality into different components to understand the specific pros and cons of each model. Naturalness refers to how natural the audio is, for example in terms of the voice and prosody. A speech signal can achieve high Naturalness, but at the same time low Quality score since, for instance, some words are not clearly pronounced or they are not well synchronised with the video.
3. *The baseline models appear to be using pre-trained model weights. However, the models are not trained on the same data, so the results cannot be compared directly.*
**Response:**
We trained the baselines on LRS3 and LRS2, and we thank the reviewer for drawing our attention that we forgot to mention it in the text. Our comparisons are not based on the pre-trained models available on the project pages of the baselines. We will clarify this in the text.
4. *The method appears to apply Guided-TTS techniques to the problem of lip-to-speech. Although this is well engineered, in my opinion this work is better suited to speech or CV conference compared to ICLR.*
**Response:**
We would like to draw the reviewer’s attention that papers of similar or related flavour have been published at ML conferences. For example, [1-3] were published at ICLR, [4] was published at NeurIPS and [5] was published at ICML.
[1] Felix Kreuk, Gabriel Synnaeve, Adam Polyak, Uriel Singer, Alexandre Défossez, Jade Copet, Devi Parikh, Yaniv Taigman, and Yossi Adi. AudioGen: textually guided audio generation. The International Conference on Learning Representations (ICLR). 2023.
[2] Haoyue Cheng, Zhaoyang Liu, Wayne Wu and Limin Wang. Filter-recovery network for multi-speaker audio-visual speech separation. The International Conference on Learning Representations (ICLR). 2023.
[3] Kai Li, Runxuan Yang and Xiaolin Hu. An efficient encoder-decoder architecture with top-down attention for speech separation. The International Conference on Learning Representations (ICLR). 2023.
[4] Minsu Kim, Joanna Hong, and Yong Man Ro. Lip to speech synthesis with visual context attentional gan. Advances in Neural Information Processing Systems, 34:2758–2770, 2021.
[5] Eliya Nachmani, Yossi Adi, and Lior Wolf. Voice separation with an unknown number of multiple speakers. Proceedings of the 37th International Conference on Machine Learning, 2020.