Summary
This paper presents a new model for video-to-audio generation. The proposed model is based on rectified flow formulation and adopts Transformer-based architecture. A conditional video is fed into the model via channel-level concatenation to the audio tokens after processed by a length regulator. After training of the model, the model is further fine-tuned with the reflow and distillation. They are conducted with synthetic data generated by the firstly trained model with classifier-free guidance. The experimental results demonstrate that the proposed model outperforms the existing models by a large margin both quantitatively and qualitatively.
Strengths
- The design of the proposed model is simple and reasonable. The proposed model is based on Transformer, and the video condition is fed into the model via channel-level concatenation to the audio tokens after adjusting the number of tokens. This design would be beneficial for boosting the temporal alignment, as it explicitly utilizes the temporal correspondance between the conditional video and the generated audio.
- In the experiments, the proposed method outperforms the other existing methods by a large margin. I have checked the generated examples on the website, and they are really amazing.
- The proposed model is quite light-weight, and it is great to be able to train the model with only two GPUs. In addition, the inference speed is substantially fast thanks to the reflow and distillation as well as the light-weight design.
- The manuscript is well-written and easy to follow.
Weaknesses
- The experiments have only been conducted with one dataset, which is VGGSound. Training or zero-shot evaluation with other datasets (such as Landscape dataset) would be beneficial to validate the generalization capability of the proposed method.
- The empirical analysis on why the proposed method performs well seems insufficient. According to the results shown in Table 2, DDPM with the proposed model architecture already achieves substantially better performance than the existing methods. Thus, it appears that the model architecture, rather than the usage of the rectified flow, is the key for the impressive performance. As far as I understand, its major difference from the standard Transformer is two-fold: channel-level concatenation for the conditional inputs instead of sequence-level one (or cross-attention mechanism as in [23]) and the usage of 1D-conv instead of 2D-conv. It would be great if this paper could provide an empirical analysis on which component actually boosts the performance for video-to-audio generation. The current manuscript places significant emphasis on the rectified flow aspect, which is not particularly novel as the proposed model largely follows to the settings of previous works.
Questions
- Is there any particular challenge (and its solution) when applying rectified flows for audio generation?
- Minor questions:
- Is CFG also applied for the reflowed models? I understand that it is applied when generating the training data for the reflow process but cannot find how it is set during the inference phase.
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<After the rebuttal>
I updated my rating from 5 to 7.
Limitations
Limitations have been discussed in the appendix.